Make
Your Own Hollywood Movie looks deceptively simple because
there are lots of pictures on almost every page. Upon careful
reading, you'll find useful information condensed inside
the pages. The author has done an excellent job of refining
information for each category he attempts to present. Readers
benefit from the results provided by author Ed Gaskell,
someone who has successful first-hand experience running
a busy video production company.
Refinement
based on successful experience is always going to be
the basis for the best possible advice for novices. When
presenting the choice of camera, for example, the author
introduces the differences in image quality between traditionally
filmed Hollywood movies and the image quality in well-shot
digital videos. He goes into the detail of resolutions
in both worlds of filming, the different video standards,
and the way pixels and colors are sampled through DV
cameras. In addition, the author discusses the importance
of the lens and many others other items. Based on his
descriptions, you'll find yourself suddenly knowing what
to look for when you shop for a digital video camera.
The
colored Spec List conveniently reminds you the items
and specifications for your next purchase. Each topic
in each section is condensed into two facing pages, making
them very easy to read. The writing style is also very
logical, sometimes humorous, and occasionally intriguing.
From time to time, you will come across profound statements
such as "Any edit to the shot is a manipulation
of time," and "Faint heart never won fair lady" and "Your
job is going to get tough from time to time, but on a
clear desk day, you can see forever." It's not just
idle banter. Gaskell really wants to emphasize the habits
you need to develop in order to shoot good DV movies.
A significant
part of the book is about the shooting techniques which
work best with DV cameras. It goes into the detail of
taking shots at different distances, framings, movements
and under various lighting conditions. The use of audio
skills and techniques and their implications and effects
on everything you shoot is also front and center. As
the author points out, the shots "control what [viewers
are] allowed to see and what they are not." The
book also points out that you need to find a crew. Without
that, you'll "find yourself far too busy to actually
shoot anything." The book also gives plenty of tips
on what to do when you finish shooting and sit down in
front of your computer to cut and edit clips, add transitions
and effects and begin using the timeline function found
in the best video editing software.
Is
it really possible that you can make a Hollywood movie
by yourself with only a digital video camera? The answer
is an unqualified yes. The book amounts to a comprehensive,
well organized collection of tips and tricks to help
you make a quality movie. Anyone who is interested in
making contemporary motion pictures should read this
book and decide for themselves whether the time and money
are worth it. With so much information in the book, there
is no reason not to own it when the price is so low.
If you've got a genuine interest in making great digital
videos, the low price won't hurt your first budget and
the invaluable information in the book will get you started
in the best possible way. YouTube could really use your
help. Recommended.