PowerDirector 4.0
Reviewed
by: Mark Goldstein, July 2005
Published
by: Cyberlink
Requires: Pentium
III/600MHz or AMD Athlon 700MHz or faster CPU, Microsoft
Windows XP or 2000, 128MB RAM, 1024x768x16-Bit color or
higher, PowerDirector 4 is optimized for CPU with SSE,
SSE2, 3DNow! and HyperThreading technology, 600 MB required
minimum (note: 400 MB is for SmartSound Quicktrack Library),
4GB for VCD/SVCD/MiniDVD production, 15GB required for
DVD production, CD or DVD burner, compatible capture device,
microphone for voice-overs
MSRP: US$89.95
You
see I have all of this mini-DV footage—miles
of it—and
the editing solutions presenting themselves have
left me somewhat cold. I won't mention any software
companies. They know who they are. Mind you, the
whole situation is vastly better than it was even
as recently as three years ago. Capturing, editing
and producing video is not the agonizingly process
it used to be. Far from it, nowadays a decent Pentium
4 with lots of RAM can fairly blaze away at the
tasks. Toss in a Pentium 4 with HyperThreading
technology and/or dual processor cores and you
can easily get a lot done. Harnessing all that
processing power is the job of PowerDirector 4.
There
are several problems with my home movie footage.
Problem #1 is mainly that my footage is supremely
crappy. As a videographer I make a good trumpet
player. However, the kids grow almost daily, family
events happen in far flung places, we travel on
vacation, we explore the world around us. I shoot
lots of video footage and my nice little Canon
MiniDV camera is so easy to use. So now I have
stacks and racks of digital video tape and I cower
in fear of the editing process. I tried a number
of video editing products, but none of them (except
for one notable title) left me with even the vaguest
feeling of confidence. The thing is, I looked at
PowerDirector several years ago and I didn't like
it. I looked at a several other products at the
time too: MGI (now Roxio) VideoWave 4, Pinnacle
Studio and ULead VideoStudio. It was possible to
be creative and produce decent amateur movies with
all four products, but the process was agonizingly
slow and buggy.
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Times
have changed. Most important, and before any other consideration
directly related to PowerDirector, CPU power and massive
amounts of RAM exist in great abundance. If you've got
a 2GHz or faster Pentium 4 CPU and 512MB of RAM, you're
laughing. Bump your RAM to 1GB (or more) and video editing
can be truly enjoyable. With the right computer and the
PowerDirector movie wizard, it's a simple process to
capture, edit and produce a good video in less time than
it takes to describe the process. But PowerDirector 4
is now a few long steps ahead of the pack on several
fronts, and getting started is helped along by five relatively
new components in the software:
- Magic Clean enhances
brightness, color, and performs limited audio
noise reduction—if you're using a Canon MiniDV
camera (almost any model), be careful, because
Magic Clean may over-saturate the image. Gently
applied, it works well. Audio noise reduction
seemed to work more like a noise ramp filter. If your
footage was shot using a digital still camera
in movie mode (in my case a Canon A95 and my wife's
Sony DSCS90L), the noise reduction may actually
remove some of the audio you want to keep mainly
because of the limited recording range of built-in
camera microphones. Clips from cameras with
better quality audio/mic systems do much better;
- Magic Cut intelligently
edits long videos into short clips featuring the best
content—like automatic scene detection, the way this feature is implemented in PowerDirector 4 makes it a huge time saver. I was amazed at how well the software divided everything. As best I can tell, Magic Cut uses your own preferences combined with color consistency, directional panning detection, recorded audio to determine when something major has changed. Upon detection Magic Cut tells PowerDirector "Hey, here's the end of a scene so end this clip and start a new one!" However
the technology is implemented, it works;
- Magic Motion applies
zoom and pan movement to still images—for the first time in my amateur video 'career' I've started to include stills. It's simple matter of dragging & dropping
a photo or illustration into the project. The result
looks just like one of those PBS specials from a museum
or art gallery. Magic Motion also intelligently locates people to focus on a scene’s important elements—it works, but you have to be careful where you use it. Some clips contain a profusion of people and while you may know who's whom, there's no way for Magic Motion to read your mind. In scenes or clips with only a couple of people, one of the kids or a band or other players at a performance event of some sort Magic Motion works remarkably well;
- Magic Music creates
soundtracks custom-fit to your video clip length—the
feature works well with the special audio/music tracks
supplied with the software. These music files are specially
composed and recorded in repetitive blocks which the
Magic Music component can extend or reduce to exactly
match the length of any video clip(s) you select. Basically,
it means the music ends properly at the same time as
the video.
I shot about 10 hours of video during the review period during which the family and I visited with friends, spent some time at the lake, visited one of the local county fairs, and attended a school recital. I also shot a quick technical instructional video for my company. I actually edited about 6 hours of footage in total in the process of making four comparatively short movies about 15 minutes each and one 30 minute epic (the instructional video). It just goes to show how much useless footage we shoot. I burned everything to individual DVDs and also created a compilation DVD containing all four family videos. The DVD authoring process (creating menus and titles that you can navigate with your DVD remote control) is brain-dead easy, and the only difficult thing about the DVD burning process itself is remembering to put a blank DVD in the drive.
Cons: With all the superb improvements in PowerDirector 4, I'm still trying to figure out why the EZ Producer component is a separate program rather than an integrated part of the main program. Components temporarily drop out in the editor in order to improve playback integrity and program responsiveness, which is nice but disconcerting. For example, If you've got several clips strung together with transitions, titles and an effect or two, adding a music track will cause titles to drop out during preview playback. Everything will render and produce properly, but this approach is disconcerting. We'd prefer to see the program dynamically allocate more cache or editing buffer to itself as needed, rather than shed items expediently. The Magic components are located in the Edit menu, but they should also be accessible in the right-click context pop-up menu in the Timeline which would place them much more readily at hand. Magic Music works well, but when choosing only a single audio file you have to manually set its length (in minutes/seconds) to match the selected video clip(s) or movie, I'd like to see a bit of programming logic here which automatically sets the audio running time based on the number of video/still clips selected. Selecting multiple audio clips works much better.
Pros: One of the best consumer video editor and movie makers available today. You can automatically make background music match the length of your clip or movie—very cool. I produced almost a dozen DVDs during the three week review period without even a hint of a ruined disc—very nice that was. The DVDs were recognized and played properly on a variety of DVD players (home and portable) and of course all of the PC and Mac DVD drives we tried. The software instantly recognizes a huge range of DV cameras, letting you take control of the camera's transport mechanism, automating capture and also automatically detecting individual scenes. The original scene detection routines we saw a few years ago look silly compared to the version in PowerDirector 4—it's really quite good and greatly eases the editing process. For quick movie making, you can actually plug in your DV camera (or copy MOV files shot in movie mode with your digital still camera) and put together a complete DVD (including burning) in about 20 minutes. MagicClean did a great job of balancing color and brightness in the video footage shot by my wife with her Sony DSCS90L digital camera. Highly recommended.
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